ANOTHER METONYM (or the hot plate)

 
Wadud_thumbnail image.jpeg

“The hot plate was hauled from the Bronx River 
by Bronx River Restoration Project volunteers.”

one coiled plate masquerades 
as oven
dryer
clean river
warming room
dinner
fixture futures 

serves up

the order inside the room, isn’t it?
not all objects are expendable 
durable dinners then drive through
24 miles of the Bronx River then
fresh water enters inside the city

warming room
strained the river
hot plate 
single burner
slow dinner
heat comes to the middle 
ripples out when it’s ready
takes its time then through
fix our minds to the four corners
use the oven more
stick to warming foods
do the dead of summer
dearth of winter more

place the pan on the plate 
small tokens
rolled nickels
rolled dimes 
swallowed it down like a fortune
inside me grew an oven 

conscripted to
its one use— 

place the pan on the hot plate 
because now it is what we have
stay with me
learn the room
watch the pan’s butter 
roil hellishly like a hot planet
butter separates by density
clarified
clean logic

the plate’s heat gets under my skin
everywhere.
generates the iron-red coils to mean ready
leaves me a mess
leaves me to watch the soup—next one to roil hellishly

it finishes and we power down
the plate
thank it for its service
dip it into the Bronx River to clean it
fresh water gets inside the city

did you want another kind of life?
dreamt of your gas cooktop?
rolled pennies
roiled nickles 
degenerate 
hands tied behind my back
let live

I am gracious
it finishes 
the plate cools
leaves me a mess
mess ripples out then through me

use the hot plate as you would all heat—
to keep a lit furnace lit
certainty
futures
iron in the pleats

gather the matter 
set it aside near the hot plate

of all the objects discarded in the river
collections of bric-a-brac
tinsel 
filmic vision
heat radiates evenly

we only took it to the river to clean it

 

Object

Hot Plate

Body of Water

Bronx River

About the Artist

Asiya Wadud is the author of Crosslight for Youngbird (Nightboat Books, 2018), a finalist for the Hurston/Wright Legacy Award in Poetry. Her other collections include day pulls down the sky / a filament in gold leaf, written collaboratively with Okwui Okpokwasili (Belladonna/ Danspace, 2019) and Syncope (Ugly Duckling Presse, 2019). No Knowledge Is Complete Until It Passes Through My Body is forthcoming from Nightboat Books. Asiya teaches poetry to children at Saint Ann’s School and occasionally leads an English conversation group for new immigrants at the Brooklyn Public Library. A member of the Belladonna Collaborative, her work has been supported by the Foundation Jan Michalski, Lower Manhattan Cultural Council, Danspace Project, Brooklyn Poets, Dickinson House, Mount Tremper Arts, and the New York Public Library, among others. Recent work appears in e-flux, BOMB Magazine, Poem-a-Day, Chicago Review, Social Text, FENCE, and elsewhere. Asiya is a 2019-2020 Lower Manhattan Cultural Council Artist-in-Residence and also currently a writer-in-residence at Danspace Project. She lives in Brooklyn, New York, where she loves animals.